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A photo of two images displayed in a museum. The images are in black and white, and depict a woman wearing a jacket facing away from the camera. They are both displayed in neon yellow frames. A photo of two images displayed in a museum. The images are in black and white, and depict a woman wearing a jacket facing away from the camera. They are both displayed in neon yellow frames.

© Jyll Bradley, Self-Portrait, Corduroy Jacket 1987-2023 (C) Jyll Bradley. Credit Andy Keate

© Jyll Bradley, Self-Portrait, Corduroy Jacket 1987-2023 (C) Jyll Bradley. Credit Andy Keate

Online Talk: Jyll Bradley In Conversation with Ben Harman

Wed 25 November 2026 , 6pm-7pm

Graves Gallery

In this insightful and thought-provoking conversation, British artist Jyll Bradley will join Ben Harman, Senior Curator of Photography at the National Galleries of Scotland, to talk about her extensive body of photographic work.  

 

The two will discuss Jyll’s many self-portraits from the late 1980s and early 1990s, what motivated the work, how Jyll explored her identity through her art, and her use of mixed media, notably the fusion of sculpture and photography, which makes her pieces so recognisable.  

 

Jyll’s work Self-Portrait, Corduroy Jacket 1987-2023, as seen in the Graves Gallery’s Lives in Focus {LINK} exhibition, has recently joined Sheffield’s collection thanks to funding from the JG Graves Charitable Trust, Arts Council England/V&A Purchase Grant Fund and Art Fund. 

 

Jyll Bradley (b.1966, Folkestone, UK) is a British artist based in London who works across installation, photography, sculpture, film and performance. Her practice combines the formal vigour of Minimalism with ideas of queerness, identity, light and community. Bradley studied Fine Art at Goldsmiths’ College (1985-88) and the Slade School of Art (1991-93). In her early works she used photographic lightboxes, which could be found in street advertising, as an artistic medium and was the first in the UK to do so. Bradley’s focus on community and place-making has led her to create acclaimed large-scale public works, using her signature material of fluorescent Plexiglas such as The Hop (2022) for the Hayward Gallery and Green/Light (for M.R.) (2014) for the 2014 Folkestone Triennial. Bradley’s installations often become sites for creative activity including performance and film reflecting her interest in art as a potent gathering place for diverse people and ideas. 

 

Ben Harman is Senior Curator of Photography at the National Galleries of Scotland. As well as curating exhibitions and collection displays, he helps to manage and develop a collection of over 50,000 photographs dating from the 1840s to the present day. From 2014-2024, Ben was Director of Stills: Centre for Photography, a gallery and production facility based in the heart of Edinburgh. His curated exhibitions for Stills included solo presentations of work by internationally renowned artists and photographers such as: Markéta Luskačová, Ishiuchi Miyako, Cindy Sherman and Jo Spence. In 2023, Ben organised the Edinburgh presentation of the Johny Pitts exhibition, Home is Not a Place, an Ampersand/Photoworks Fellowship project which toured from Sheffield Museums. From 2003–2013, Ben was Curator of Contemporary Art for Glasgow Museums and Lead Curator on Glasgow’s Art Fund International collecting project. He is a Trustee of the Richard & Siobhán Coward Foundation. 

 

This event forms part of the programme of events complementing the exhibition Lives in Focus: Photography in Sheffield's Collection which continues at the Graves Gallery till 31 October 2026.

 

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